Monday, December 27, 2010
Saturday, December 18, 2010
Listening to Mood Swing, ha, so true! Available for music publishing and licensing: http://ping.fm/uBGd5
Thursday, December 9, 2010
New XMAS song, Christmas in Nashville, by @imjessicarae, sales benefit Toys for Tots, Listen here: http://ping.fm/5tIKf
Listening to Fools Anonymous by Christina VanWey, available for music publishing and/or licensing on StartMySong http://ping.fm/M1CfG
Monday, November 15, 2010
Thursday, November 11, 2010
Listening to I DON' DO IT FOR CASH © Christina VanWey :) Lyrics are crackin me up http://ping.fm/j4KWL
Dance song needed for young pre-teen, female artist, pop/AC category with a dance beat ($500). Details: http://ping.fm/VtLVI
Tuesday, November 9, 2010
Listening to the Top Songs ready for music publishing on Start My Song, listen here: http://ping.fm/jV67O
Monday, November 8, 2010
Sunday, November 7, 2010
Wednesday, November 3, 2010
Friday, October 29, 2010
Listening this Must Be Real by Fernando (ready for music publishing and licensing) http://startmysong.com/
Listening this Must Be Real by Fernando (ready for music publishing and licensing) http://startmysong.com/
Thursday, October 28, 2010
Music publishers who think they may be owed payouts from the labels for the years 2007-8 ("phase II") http://ping.fm/OjZKw
Sunday, October 24, 2010
Saturday, October 23, 2010
Thursday, October 21, 2010
$200 - Song needed to celebrate Dr Chau's achievement of PhD and to wish him all the best: http://ping.fm/aJNeP
Saturday, October 16, 2010
Wednesday, October 13, 2010
Introducing Google Juice | A Guide to Increasing Your Online Presence and Search Results http://ping.fm/MnnrC
Tuesday, October 12, 2010
Need a better online presence? Need help with your web rankings? Need to sell more music? Get Google Juice: http://googlejuice.co
Thursday, September 2, 2010
Free presentation in Nashville: WordPress - All You Need to Know to Set Up a Blog or Website (Details: http://ping.fm/l7bOf)
Sunday, August 1, 2010
Wednesday, July 21, 2010
Tuesday, July 20, 2010
Thursday, July 1, 2010
Wednesday, June 16, 2010
Monday, June 14, 2010
Thursday, June 10, 2010
Monday, June 7, 2010
Friday, May 21, 2010
Listening to Laughter in the Hallway by Matthew Stemme, available for publishing: http://ping.fm/FL8oQ
Plenty of new song added and ready to be heard and ranked by you! listen now http://startmysong.com/
Thursday, April 8, 2010
Wednesday, April 7, 2010
Friday, April 2, 2010
Almond Butter Is Heather's Secret to 100-Pound Weight Loss - That's
Fit http://ping.fm/5cefj
Sent from my iPhone
Fit http://ping.fm/5cefj
Sent from my iPhone
Thursday, April 1, 2010
Monday, March 29, 2010
Why Just Bieber Is Such A Big Hit
Sent to you by Scott via Google Reader: Why Just Bieber Is Such A Big
Hit via hypebot by Bruce Houghton on 3/29/10
GUEST POST: Jay Frank is the author of Futurehit.DNA and SVP Music
Strategy of CMT. You can download a free chapter of his great book on
his blog FuturehitDNA.com and Hypebot's Kyle Bylin interviewed him
earlier this year. In this guest post, Frank looks at the factors
behind the meteoric success of teen idol Justin Bieber using the
FuturehitDNA methodology.
Justin Bieber mania has arrived. With the release of his new album, My
World 2.0, and a sure thing #1 debut, many people are wondering how it
happened. Teen phenomenons can certainly happen fast, but rarely
without the help of a Disney show in recent years. By my rough
calculations, after the first week sales of his new album are accounted
for, Justin will have grossed approximately $15 million in total
recorded music sales, not including ringtones, streaming revenue,
T-shirts or posters in less than 9 months. And that’s just in the
United States. For a music business in “trouble” and an artist aimed
clearly at teenagers and below, this is a success, especially because
the train is really just leaving the station.
So the question is, how did this become so successful so quickly?
There’s been plenty of other artists who have been released in the same
timeframe that can’t count this level of success in this short of a
period. What made it work? There are a lot of specific elements in each
song which I’ll detail shortly, but readers of Futurehit.DNA know the
answer lies in Chapter 7 of the book.
RELEASE MORE SONGS MORE OFTEN
Look at this time frame of songs being released:
- APRIL 2009 – Release of “One Time” single
- JULY 2009 – Release of “One Time” video
- AUGUST 2009 – Release of “Favorite Girl” YouTube Video w/Taylor Swift
- OCTOBER 2009 – Release of “One Less Lonely Girl” single + video
- NOVEMBER 2009 – Release of My World 8-song Album
- JANUARY 2010 – Release of “Baby” single
- FEBRUARY 2010 – Release of “Baby” video
- MARCH 2010 – Release of My World 2.0 Album
Did you get all that? In a world where many people are in the game of
milking singles for all they’re worth, Justin just kept releasing
content. A new official video has been released every 3 months. Two
album releases. 18 total tracks have come out. All within 9 months.
Considering that most artists are at a pace that’s nearly twice that,
it’s not surprising that Justin runs rings around them.
And this all occurred by focusing on the fan and constantly feeding
them content rather than just chart positions. The first two singles
didn’t crack the Top 15 on the Billboard Hot 100. And Justin’s biggest
hit, “Baby”, reached #3. Meanwhile, #1 songs are regularly engaging in
much less commerce.
And Justin’s songs regularly engage in a Futurehit.DNA formula to
engage his young audience:
SHORT INTROS (Chapter 1)
“One Time” has a 7 second intro. “One Less Lonely Girl” has no intro.
“Baby” has a positively long 14 second intro. Yet both “One Time” and
“Baby” make use of Justin utilizing an “ay” and “woah” vocal during the
intro. Since Justin has a young higher pitched male voice, one could
make the argument that he is creating a distinctive vocal right from
the get-go so you know who’s singing.
LONGER SONGS (Chapter 2)
Justin Bieber’s songs are hardly epic with lengths of the singles
ranging from 3:30 to 3:50. However, considering that Ke$ha’s big hits
don’t even reach 3:30, he’s definitely competitive in his category.
Regarding length, Justin’s songs actually fall right into the range of
the majority of Top 100 songs at the moment.
CHORD CHANGES (Chapter 3)
There’s not a lot of chord changes going on in Bieber’s hits. However,
he puts the dramatic changes where it counts. I often talk about the
need to change things up around the two minute mark, and Bieber does
this regularly. In “One Time”, the song drops all instruments except
drums giving Justin a moment to sing acapella, which given his talent
is very distinct. In “One Less Lonely Girl”, a very distinct key change
occurs. And in “Baby”, there is a significant drop out towards the end
of the 2nd verse that’s attention grabbing that then leads into the
Ludacris verse. Nothing earth-shattering, per se, but all effective in
engaging the listener at a time that counts.
REPETITION (Chapter 10)
If there’s anything that occurs in Bieber’s songs, it’s repetition.
And to hit the teen and tween market, it’s almost too obvious that this
technique would be utilized. The title of “One Time” is repeated 32
times in the song, with the word “one” used an additional 17 times. A
long song title doesn’t prevent “One Less Lonely Girl” being repeated
39 times. For “Baby”, they probably went for the world record with 55
mentions of the title. Within the rest of the songs, there are numerous
other instances of repetition to just add to the effectiveness of
repetition.
Again, all of these elements and more contribute to the phenomenal
success of Justin Bieber. Towering above them all, however, is the
super serving of the audience thru constant releases. This is an
element that can occur on any scale with any style of artist. The more
you keep momentum within your audience and the more you keep them
engaged, the more likely you will succeed. If more artists followed
this formula, a $15 million US gross for recorded music would be a more
regular occurrence.
Things you can do from here:
- Subscribe to hypebot using Google Reader
- Get started using Google Reader to easily keep up with all your
favorite sites
Sent to you by Scott via Google Reader: Why Just Bieber Is Such A Big
Hit via hypebot by Bruce Houghton on 3/29/10
GUEST POST: Jay Frank is the author of Futurehit.DNA and SVP Music
Strategy of CMT. You can download a free chapter of his great book on
his blog FuturehitDNA.com and Hypebot's Kyle Bylin interviewed him
earlier this year. In this guest post, Frank looks at the factors
behind the meteoric success of teen idol Justin Bieber using the
FuturehitDNA methodology.
Justin Bieber mania has arrived. With the release of his new album, My
World 2.0, and a sure thing #1 debut, many people are wondering how it
happened. Teen phenomenons can certainly happen fast, but rarely
without the help of a Disney show in recent years. By my rough
calculations, after the first week sales of his new album are accounted
for, Justin will have grossed approximately $15 million in total
recorded music sales, not including ringtones, streaming revenue,
T-shirts or posters in less than 9 months. And that’s just in the
United States. For a music business in “trouble” and an artist aimed
clearly at teenagers and below, this is a success, especially because
the train is really just leaving the station.
So the question is, how did this become so successful so quickly?
There’s been plenty of other artists who have been released in the same
timeframe that can’t count this level of success in this short of a
period. What made it work? There are a lot of specific elements in each
song which I’ll detail shortly, but readers of Futurehit.DNA know the
answer lies in Chapter 7 of the book.
RELEASE MORE SONGS MORE OFTEN
Look at this time frame of songs being released:
- APRIL 2009 – Release of “One Time” single
- JULY 2009 – Release of “One Time” video
- AUGUST 2009 – Release of “Favorite Girl” YouTube Video w/Taylor Swift
- OCTOBER 2009 – Release of “One Less Lonely Girl” single + video
- NOVEMBER 2009 – Release of My World 8-song Album
- JANUARY 2010 – Release of “Baby” single
- FEBRUARY 2010 – Release of “Baby” video
- MARCH 2010 – Release of My World 2.0 Album
Did you get all that? In a world where many people are in the game of
milking singles for all they’re worth, Justin just kept releasing
content. A new official video has been released every 3 months. Two
album releases. 18 total tracks have come out. All within 9 months.
Considering that most artists are at a pace that’s nearly twice that,
it’s not surprising that Justin runs rings around them.
And this all occurred by focusing on the fan and constantly feeding
them content rather than just chart positions. The first two singles
didn’t crack the Top 15 on the Billboard Hot 100. And Justin’s biggest
hit, “Baby”, reached #3. Meanwhile, #1 songs are regularly engaging in
much less commerce.
And Justin’s songs regularly engage in a Futurehit.DNA formula to
engage his young audience:
SHORT INTROS (Chapter 1)
“One Time” has a 7 second intro. “One Less Lonely Girl” has no intro.
“Baby” has a positively long 14 second intro. Yet both “One Time” and
“Baby” make use of Justin utilizing an “ay” and “woah” vocal during the
intro. Since Justin has a young higher pitched male voice, one could
make the argument that he is creating a distinctive vocal right from
the get-go so you know who’s singing.
LONGER SONGS (Chapter 2)
Justin Bieber’s songs are hardly epic with lengths of the singles
ranging from 3:30 to 3:50. However, considering that Ke$ha’s big hits
don’t even reach 3:30, he’s definitely competitive in his category.
Regarding length, Justin’s songs actually fall right into the range of
the majority of Top 100 songs at the moment.
CHORD CHANGES (Chapter 3)
There’s not a lot of chord changes going on in Bieber’s hits. However,
he puts the dramatic changes where it counts. I often talk about the
need to change things up around the two minute mark, and Bieber does
this regularly. In “One Time”, the song drops all instruments except
drums giving Justin a moment to sing acapella, which given his talent
is very distinct. In “One Less Lonely Girl”, a very distinct key change
occurs. And in “Baby”, there is a significant drop out towards the end
of the 2nd verse that’s attention grabbing that then leads into the
Ludacris verse. Nothing earth-shattering, per se, but all effective in
engaging the listener at a time that counts.
REPETITION (Chapter 10)
If there’s anything that occurs in Bieber’s songs, it’s repetition.
And to hit the teen and tween market, it’s almost too obvious that this
technique would be utilized. The title of “One Time” is repeated 32
times in the song, with the word “one” used an additional 17 times. A
long song title doesn’t prevent “One Less Lonely Girl” being repeated
39 times. For “Baby”, they probably went for the world record with 55
mentions of the title. Within the rest of the songs, there are numerous
other instances of repetition to just add to the effectiveness of
repetition.
Again, all of these elements and more contribute to the phenomenal
success of Justin Bieber. Towering above them all, however, is the
super serving of the audience thru constant releases. This is an
element that can occur on any scale with any style of artist. The more
you keep momentum within your audience and the more you keep them
engaged, the more likely you will succeed. If more artists followed
this formula, a $15 million US gross for recorded music would be a more
regular occurrence.
Things you can do from here:
- Subscribe to hypebot using Google Reader
- Get started using Google Reader to easily keep up with all your
favorite sites
Sunday, March 21, 2010
Saturday, March 20, 2010
Slacker has opened up to unsigned acts and allows them to create their own branded radio channels http://ping.fm/DdgBw
Tuesday, March 16, 2010
Nashville 2.0 meeting changed to tomorrow at 7pm - @jwd2a of Madera Labs discussing importance of user experience: http://bit.ly/9F1GZ6
Saturday, March 13, 2010
Great interview Ellis Paul about supporting yourself as a musician-including actual revenue numbers http://ping.fm/1b7X9
Friday, March 12, 2010
If you enjoy the Christian genre of music, we have a bunch of new songs from artist Jon Vayu, listen here: http://ping.fm/fngcM
Monday, March 8, 2010
Great new resource for songwriters just launched in Nashville, Music Starts Here: http://ping.fm/D4Hu7
Great meeting today at the Indie Connect Monday luncheon. Met Laurie McClain, listening to her music now, love it: http://ping.fm/6oXVa
Wednesday, March 3, 2010
See what virtual meetings are coming up for independent musicians from Indie Connect http://ping.fm/4OP6Y
Tuesday, March 2, 2010
Monday, February 22, 2010
Move beyond MySpace for promoting your music/ band online! Setting Up Your Broadcast Channel http://ping.fm/hbkUM
Wednesday, February 17, 2010
15 points that must change in a song if artists, songwriters and producers of tomorrow want a chart topping hit http://ping.fm/KsQtb
Starting the day with some music by Jeremy Lister and a nice cup of Frothy's finest: http://ping.fm/XMJ9l(American+Songwriter)
Tuesday, February 16, 2010
Songwriters Hall of Fame 2010 Inductees' List Includes Maurice White of Earth, Wind & Fire http://ping.fm/bKrnI
For all those going to #sxsw : Austin-Bergstrom Just Became the Number One Airport in America http://ping.fm/93qDf
Monday, February 15, 2010
Sunday, February 14, 2010
Listening to Jessica Lea Mayfield's Run Myself Into the Ground: http://ping.fm/SDDOY(American+Songwriter)
Listening to the #SXSW Shoutcast radio show previewing 2010 South By Southwest artists: http://ping.fm/YTiNB
Saturday, February 13, 2010
Thursday, February 11, 2010
Tuesday, February 9, 2010
Bandize: Manage Your Band Like a Business: an idea so sharp you’re likely to wonder why it hasn’t already been done http://ping.fm/q1NPX
Tuesday, February 2, 2010
The Ridiculousness Of Copyright Clearances: Fight Club Producers Had To Pay Off Marla Singer? http://ping.fm/JIrEk
Monday, February 1, 2010
Friday, January 29, 2010
Thursday, January 28, 2010
Wednesday, January 27, 2010
10,000 musical artists in new Facebook game could create whole new music sales and promotion dynamic: http://ping.fm/SCQdQ
Tuesday, January 19, 2010
Sunday, January 17, 2010
Bored? Like music? Take this music survey and help a student with her graduation paper: http://musicsurvey.org/
After a request, StartMySong adds FOLK MUSIC category, need some Folk music now: http://startmysong.com/
Saw this at Edgehill Cafe, press your bands albums onto records, seems pretty cool: http://ping.fm/K08gP
Saturday, January 16, 2010
@Scobleizer @Mashable Can you patent a web application? I see Microsoft has filed this: http://bit.ly/6Q2PBU I thought you could not patent
Friday, January 15, 2010
Thursday, January 14, 2010
Tuesday, January 12, 2010
Monday, January 11, 2010
Sunday, January 10, 2010
'Up In The Air' Songwriter Kevin Renick Amazed By His Real-Life, Feel-Good Tune http://ping.fm/2NwTo
Monday, January 4, 2010
Saturday, January 2, 2010
Join the Songwriting Industry Group on LinkedIn to discuss trends and opportunities in the songwriting business: http://ping.fm/5SY78
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